As an industrial designer working predominantly in ceramics, with a hands-on research and making approach, my practice brings together methods and modes of work from various making disciplines to investigate new possibilities for production and objects.

Serial Production is a means of material and cultural creation that is repeatedly duplicated, seeping into daily life and collective experience. The decline of local mass production and the rise of digital production tools are opening up possibilities for what the serially made object could be. This fundamental shift in object making inspires the development of original languages, free of appropriated traditions, archetypical forms or paraphrased signs.

Being an industrial designer that works in ceramics, I have moved over time to incorporate craft methodologies in which the maker is involved in every stage of the process, reacting and making decisions along the way. I have come to see objects as an archive of the accumulated processes and marks by which they are made. Software, printmaking, 3d printing, extrusion, slip casting are all participants, leaving their marks in the final product. My work therefore involves both the object and the processes by which it is designed and produced; Creating things which archive unique workflows intended to challenge and maximize the forms and languages they produce.