As a designer and researcher, I use hands-on research and making approachs. My practice often mixes together methods and modes of work from various making disciplines, and often revolves around new possibilities for production of objects.

Serial Production is a means of material and cultural creation that is repeatedly duplicated, seeping into daily life and collective experience. The rise of digital production tools has been opening up possibilities for what the serially made object could be. These relatively new technologies are exciting to me, as they inspire the development of original object languages, free of appropriated traditions, archetypical forms or paraphrased signs.

Being an industrial designer that works in ceramics, I have moved over time to incorporate craft methodologies in which the maker is involved in every stage of the process, reacting and making decisions along the way. I have come to see objects as an archive of the accumulated processes and marks by which they are made. Software, printmaking, 3d printing, extrusion, slip casting are all participants, leaving their marks in the final product. My work therefore involves both the object and the processes by which it is designed and produced; Creating things which archive unique workflows intended to challenge and maximize the forms and languages they produce.